Funny thing about the rendering on that face in the second panel was that I only did it because my brush pen was beginning to run out of ink. Rather than just through away the nearly spent cartridge, I used up the last of the ink in order to shade that head. I find worn down pens that are running low on ink can create really nice shading and texture effects.
Oh, aheh, I was referring to the other half-face...the one behind the page.
Still, if you rendered THAT face with a drying-out brushpen, that's even MORE amazing.
(...I'm referring to the face behind the page, again.)
(Just to be clear, these have been jokes.)
(...well, the part where I mentioned how great your inking is wasn't a joke. That part was meant seriously, in the most humourless, sombre way possible.)
3 comments:
That half-face on the right of the image is rendered remarkably well. Why if it wasn't so goofy-looking, I'd almost think it was real!
Aheh heh...just messin' around. A-hyuk hyuk.
Great, great inking, as always.
Cheers, Conor.
Funny thing about the rendering on that face in the second panel was that I only did it because my brush pen was beginning to run out of ink. Rather than just through away the nearly spent cartridge, I used up the last of the ink in order to shade that head. I find worn down pens that are running low on ink can create really nice shading and texture effects.
Oh, aheh, I was referring to the other half-face...the one behind the page.
Still, if you rendered THAT face with a drying-out brushpen, that's even MORE amazing.
(...I'm referring to the face behind the page, again.)
(Just to be clear, these have been jokes.)
(...well, the part where I mentioned how great your inking is wasn't a joke. That part was meant seriously, in the most humourless, sombre way possible.)
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